The following year, in Cubisme et Tradition (1911) Metzinger writes of the immobility of paintings of the past, and that now, artists permit themselves the liberty of 'moving around the object to give, under the control of intelligence, a concrete representation derived from several successive aspects.'  L'Oiseau bleu no longer represented nature as seen, but was a complete byproduct of the human 'sensation.'  — William Henry Bragg and William Lawrence Bragg work out the Bragg condition for strong X-ray reflection — Publication of the 3rd volume of Principia Mathematica by Alfred North Whitehead and Bertrand Russell, one of the most important and seminal works in mathematical logic and philosophy — February 17 - The Armory Show opens in New York City. L'Oiseau bleu, writes Joann Moser, uses a wealth of anecdotal detail "which comprises a compendium of motifs found in earlier and later paintings by Metzinger: bathers, fan, mirror, ibis, necklace, a boat with water, foliage and an urban scene. } Créateur des décors, son et lumière. }
The exhibition is held at Kunstmuseum Basel, from March 31 to August 5, 2019. Lire l'article Période de confinement – Covid 19. Orders in Canada under $100 ship for $9-$12, Orders in the US ship for $12 (5-7 day service) or $15 (3 day service)
My big quest was for safety eyes - snap-together plastic "eyes" for dolls and teddy bears and stuff. There were many works by Robert and Sonia Delaunay, in addition to abstract works by Picabia and Cubist works by Metzinger, Gleizes, Léger and a large number of Futurist paintings. Le centre L'Oiseau Bleu s'est ouvert le 11 septembre 1972 à l'initiative d'une association de parents d'enfants handicapés de la région de Huy. Yet, what is achieved is, of course, fundamentally anti-naturalistic; at great distance from the appearance of the natural world. Recall that L'Oiseau bleu was painted as the International Exhibition of Modern Art (the Armory Show) in New York was beginning to materialize; when Arthur B. Davies and Walt Kuhn came to Paris in the fall of 1912 to select works for the Armory Show, with the help of Walter Pach. Metzinger's Divisionist technique had its parallel in literature. In room 45 hung the works of Robert Delaunay, Sonia Delaunay, František Kupka, Morgan Russell and Macdonald-Wright.
, Metzinger would soon exhibit six works in New York at the Montross Gallery, 550 Fifth Avenue (4–22 April 1916) with Gleizes, Picabia, Duchamp, and Jean Crotti. In that text Gleizes would attribute to this underlying armature 'objective notions of translation and rotation', words in which 'movement is implicit'. La cuisine se veut moderne, inspirée, contemporaine, avec des classiques revisités.
Portrait de l'atelier dans le journal le Bien Public le 19 août 2020.